Wednesday, November 30, 2016

Utopia - Jan Theuninck, 2016


nova insula Utopia
new world order

"De ellende komt nooit van de stratenmaker of de vuilnisophaler, maar altijd van hoogopgeleide intellectuelen. Die willen een utopie vestigen en zijn bereid om daarvoor elke prijs te betalen: vooral door anderen" (rabbijn Tamarah Benima)
"The misery never comes from the road builder or the garbage collector, but always from highly educated intellectuals. They want to establish a utopia and are prepared to pay any price for it: especially through others" (Rabbi Tamarah Benima)

The painting "Utopia" (2016, acrylic on canvas) is part of Jan Theuninck's series addressing authoritarianism and societal control, listed alongside related works such as "Threat" (2016), "Conformity" (2017), "Brainwashing" (2018), and "The Culture of Learned Helplessness" (2011). It critiques the dangers of utopian ideologies that evolve into dystopian realities, often at great human cost. The work is associated with a quote from Dutch Rabbi Tamarah Benima: "They want to establish a utopia and are prepared to pay any price for it: especially through others." This statement underscores the ethical and human toll of pursuing idealized societies, echoing critiques of historical utopian experiments like those in totalitarian regimes.Regarding psychology, Theuninck's broader oeuvre incorporates psychological concepts, such as conformity (social pressure to align with group norms, as in Solomon Asch's experiments), brainwashing (manipulative indoctrination), and learned helplessness (a state of passive resignation from repeated adversity, coined by psychologist Martin Seligman). In the context of "Utopia," these tie into the psychological dynamics of utopian thinking: how individuals and groups may embrace grand visions of perfection, leading to obedience, groupthink, and the "banality of evil" (another Theuninck painting title, referencing Hannah Arendt's idea of ordinary people enabling atrocities through unthinking compliance). Rabbi Benima's quote highlights a related psychological facet—the cognitive dissonance or moral disengagement that allows people to impose costs on others for an abstract ideal, akin to phenomena studied in social psychology like bystander effect or authoritarian personality traits. This aligns with discussions in Holocaust-related literature (which Benima has engaged with) on the psychology of discrimination, obedience vs. resistance, and intergenerational trauma in second-generation Jewish communities.
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Modern totalitarianism uses data, surveillance, and algorithms to enforce compliance, potentially leading to transhumanism (merging humans with technology for "utopia").
cfr Prof. Mattias Desmet

Thursday, November 17, 2016

global conscience - Jan Theuninck, 2016


Theunink's oeuvre can be seen as a visual exploration of the global conscience—a recurring motif in his work that addresses humanity's shared ethical burdens. For over two decades, he has depicted the "evolution of Western totalitarianism," critiquing shifts in political ideologies (e.g., the "Third Way" movements of the 1990s and 2000s under leaders like Clinton, Blair, and Schröder) and their role in fostering communitarianism and control over individual thought. He views his art and poetry as a "personal mission" against a society that polices consciences, where even nonconformity renders one suspect.
Jan Theuninck (born June 7, 1954, in Zonnebeke, West Flanders, Belgium) is a contemporary abstract painter and poet whose work deeply engages with themes of human conscience, historical trauma, and socio-political critique. His artistic practice blends minimalism and monochrome expressionism, often using acrylic on canvas to create stark, evocative compositions that provoke reflection on collective moral failures.