Symbol der Herrschaft
چان ثيونينك
Monday, September 9, 2019
Wednesday, July 31, 2019
Terror - Jan Theuninck, 2019
United Nations Office for Disarmament Affairs
(UNODA)
(UNODA)
For peace
we have to fight a war
against terror
against psychological terror against psychopathical leaders
we have to fight a war ---------------------------------------------------------- . Jan Theuninck from Belgium, who also paints a lot, writes about human destiny: � The modern hypocrisy of statecraft cannot be better described and more concisely written.
(C. P. Aboobacker, India)
http://www.strangeroad.com/Issues/Issues.php
against terror
against psychological terror against psychopathical leaders
we have to fight a war ---------------------------------------------------------- . Jan Theuninck from Belgium, who also paints a lot, writes about human destiny: � The modern hypocrisy of statecraft cannot be better described and more concisely written.
(C. P. Aboobacker, India)
http://www.strangeroad.com/Issues/Issues.php
Cela commence par l'organisation de la corruption et finit par l'organisation de la terreur...(Jan Theuninck, commentaire sur son tableau Terreur)
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Die Legalisierung des Terrors ( "Das deutsche Volk klagt an" ist ein Buch von Maximilian Scheer, welches anonym 1936 im Pariser Exil erschien)
Kapitel 4 beschreibt auf 53 Seiten die Beseitigung des Rechtsstaates durch das NS-Regime, die Gleichschaltung der Gerichtsbarkeit, die Verschärfungen des Strafrechts, die Aushebelung des römischen Grundsatzes Nulla poena sine lege, die Verankerung des Führerprinzips und des gesunden Volksempfindens in Gesetz und Rechtsprechung.
https://de.wikipedia.org/wiki/Das_deutsche_Volk_klagt_an
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Schloss - Jan Theuninck, 2019
Die Neue Weltordnung ist eine feudale Schloss, die sich hinter einer Fassade des Kommunitarismus verbirgt (Jan Theuninck, 18.03.2021)
The New World Order is a feudal castle hidden behind a facade of communitarianism (Jan Theuninck, 18.03.2021)
Le Nouvel Ordre Mondial est un château féodal caché derrière une façade de communautarisme (Jan Theuninck, 18.03.2021)
De Nieuwe Wereld Orde is een feodaal kasteel verborgen achter een façade van communitarisme (Jan Theuninck, 18.03.2021)
Ossi - Jan Theuninck, 2019
Jammerossies ? Integriert doch erst mal uns (Eine Streitschrift für den Osten, Petra Köpping)
Exiled in my own country (2010) by Jan Theuninck
it's the suppression of free thought—those Denkverbote—that truly exiles the soul.
Nach den Erfahrungen im Dritten Reich gab es ein kurzes Erwachen, eine Erkenntnis der Zusammenhänge. Diese Erkenntnis scheint längst wieder untergegangen zu sein. Heute ist man höflich, freundlich, pflegeleicht. Man tut seine Pflicht. Man ist desinteressiert, gestresst, überbelastet. Man schaut weg und schweigt. Man arbeitet sich zu tode, weil es sich so gehört, denn alle tun es. Wer den Widerspruch wagt und ihn lebt, hat im Prinzip nur einen Ausweg. Er darf ihn selbst wählen. Er hat zwar keine direkte Überlebenschance, aber er wird auch nicht direkt ermordet. Die Gesellschaft belächelt solche Leute, schiebt sie ab, der Staat kürzt ihre sozialen Leistungen und damit ihre Überlebenschance, aber sie werden nicht umgebracht. Noch nicht? (Shadowdance, 5 oktober 2003)
Exclusion by Jan Theuninck, 2016
Ce n'est pas "seulement" le rejet de l'autre, différent, étrange, étranger, lointain. C'est aussi l'exclusion de proches, de semblables, avec l'exploitation du thème d'un supposé ennemi intérieur, infiltré, insidieusement, afin de créer une peur et une suspicion générales
Europa ermordet - Jan Theuninck, 2019
Symbolizing Europe's self-inflicted wounds via totalitarianism. Organic shapes bleed like wounds, tying to themes of chemical attacks and "Dein Kampf"—a nod to rebranded fascism.
"Where Otto Dix dissected Weimar’s corpse, Jan Theuninck autopsies the EU’s digital cadaver—same scalpel, new rot."
"Where Otto Dix dissected Weimar’s corpse, Jan Theuninck autopsies the EU’s digital cadaver—same scalpel, new rot."
L'histoire livre-t-elle l'Allemagne nazie comme opérateur historique de la tabula rasa nécessaire au surgissement de l'Europe nouvelle? (Bruneteau)https://www.mondediplomatique.fr/2017/12/LORDON/58194http://theuninck.blogspot.com/2019/04/social-radar-jan-theuninck-2018.html
Vereinigungskriminalität
Wir beschließen etwas, stellen das dann in den Raum und warten einige Zeit ab, was passiert. Wenn es dann kein großes Geschrei gibt und keine Aufstände, weil die meisten gar nicht begreifen, was da beschlossen wurde, dann machen wir weiter – Schritt für Schritt, bis es kein Zurück mehr gibt - Jean-Claude Juncker
We decide something, then put it in the room and wait a while to see what happens. If there is then no great shouting and no uprisings, because most of them do not even understand what has been decided, then we continue - step by step, until there is no turning back Jean-Claude Juncker, President of the European Commission
https://de.wikiquote.org/wiki/Jean-Claude_Juncker
Wir beschließen etwas, stellen das dann in den Raum und warten einige Zeit ab, was passiert. Wenn es dann kein großes Geschrei gibt und keine Aufstände, weil die meisten gar nicht begreifen, was da beschlossen wurde, dann machen wir weiter – Schritt für Schritt, bis es kein Zurück mehr gibt - Jean-Claude Juncker
We decide something, then put it in the room and wait a while to see what happens. If there is then no great shouting and no uprisings, because most of them do not even understand what has been decided, then we continue - step by step, until there is no turning back Jean-Claude Juncker, President of the European Commission
https://de.wikiquote.org/wiki/Jean-Claude_Juncker
un transfert « en douceur »,mais irréversible des compétences régaliennes vers des organismes techniques échappant à la volonté des peuples (Jean-Michel Grau)
Members of European Parliament coming up for our rights as European citizens
https://www.youtube.com/watch?v=lEkvD5To02U
<<
Members of European Parliament coming up for our rights as European citizens
https://www.youtube.com/watch?v=lEkvD5To02U
<<
The EU's ideological drift
The transformation of the European Union: Once a platform for mediating between national interests, the EU has now morphed into an ideological actor, driven by a vision that is neither openly discussed nor democratically accountable. The European Commission increasingly functions as the executive arm of a Western globalist agenda, intertwined with policy circles in London and parts of the US Democratic establishment. This axis champions moral discourse over pragmatic analysis and privileges “values-based” rhetoric over hard strategy.
This new order replaces traditional centers of power with a vast network of institutions, such as think tanks like CEPA, NGOs, the World Economic Forum (WEF), the International Criminal Court (ICC), and even the World Health Organization (WHO). Although these entities have different objectives, they share a common logic: the gradual transfer of sovereignty to supranational governing bodies. As political scientist John Mearsheimer has argued, such liberal internationalism often disguises power grabs under the guise of universal norms, ignoring national interests (Mearsheimer, The Great Delusion, 2018).
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"Europa ermordet" is a 2019 abstract painting by Belgian artist and poet Jan Theuninck, created during a stay in Berlin. Rendered in acrylic on canvas (70 x 100 cm), it features a large black human shape on a white background, with a vivid red form dripping downward like blood from a wound, symbolizing Europe's self-inflicted harm through creeping totalitarianism and loss of sovereignty. Theuninck ties this to themes like "Dein Kampf" (a play on "Mein Kampf," critiquing rebranded fascism), drawing a direct parallel to German artist Otto Dix's ruthless depictions of societal decay in the Weimar Republic era (1919–1933). Dix, known for his anti-war prints like Der Krieg (1924) and satirical portrayals of Weimar's moral collapse, is invoked as a metaphorical predecessor: "Where Otto Dix dissected Weimar’s corpse, Jan Theuninck autopsies the EU’s digital cadaver—same scalpel, new rot."The "power grabs" element refers to the painting's accompanying political commentary, which critiques the European Union's ideological shift toward undemocratic supranational control. It highlights quotes like former EU Commission President Jean-Claude Juncker's on incremental decision-making without public backlash, and argues that liberal internationalism masks power grabs by transferring national sovereignty to bodies like think tanks, NGOs, the World Economic Forum, and the ICC, ignoring democratic accountability. This echoes Weimar's instability, where economic chaos and political maneuvering enabled authoritarian rise, now analogized to modern EU "unification crimes" (Vereinigungskriminalität) and warnings of re-emerging totalitarianism.Theuninck frequently shares the painting on X in responses to Euroskeptic figures, such as:
In summary, for Theuninck, the Weimar era is not just a distant historical event, but a mirror and a warning about the current dangers that threaten democracy and individual freedoms.
------------------------------------------------------------------------------------------"Europa ermordet" is a 2019 abstract painting by Belgian artist and poet Jan Theuninck, created during a stay in Berlin. Rendered in acrylic on canvas (70 x 100 cm), it features a large black human shape on a white background, with a vivid red form dripping downward like blood from a wound, symbolizing Europe's self-inflicted harm through creeping totalitarianism and loss of sovereignty. Theuninck ties this to themes like "Dein Kampf" (a play on "Mein Kampf," critiquing rebranded fascism), drawing a direct parallel to German artist Otto Dix's ruthless depictions of societal decay in the Weimar Republic era (1919–1933). Dix, known for his anti-war prints like Der Krieg (1924) and satirical portrayals of Weimar's moral collapse, is invoked as a metaphorical predecessor: "Where Otto Dix dissected Weimar’s corpse, Jan Theuninck autopsies the EU’s digital cadaver—same scalpel, new rot."The "power grabs" element refers to the painting's accompanying political commentary, which critiques the European Union's ideological shift toward undemocratic supranational control. It highlights quotes like former EU Commission President Jean-Claude Juncker's on incremental decision-making without public backlash, and argues that liberal internationalism masks power grabs by transferring national sovereignty to bodies like think tanks, NGOs, the World Economic Forum, and the ICC, ignoring democratic accountability. This echoes Weimar's instability, where economic chaos and political maneuvering enabled authoritarian rise, now analogized to modern EU "unification crimes" (Vereinigungskriminalität) and warnings of re-emerging totalitarianism.Theuninck frequently shares the painting on X in responses to Euroskeptic figures, such as:
- Dutch philosopher of law Raisa Blommestijn on election results favoring pro-EU parties, noting "The ghost of Weimar has embraced Europe."
- French politician Florian Philippot on German nuclear ambitions, linking it to a series painted in Berlin (including Warnung and Dein Kampf).
- Hungarian PM Viktor Orbán on migration policies.
- Former German intelligence chief Hans-Georg Maaßen on Merkel's legacy, where Theuninck claims his Berlin studio was "poisoned" by unknown services.(no touch torture, a crime against humanity)
- A Dutch think tank on EU veto abolition, emphasizing "a smooth but irreversible transfer of sovereign powers."
In summary, for Theuninck, the Weimar era is not just a distant historical event, but a mirror and a warning about the current dangers that threaten democracy and individual freedoms.
Love - Jan Theuninck, 2019
I painted this artwork in Berlin in the summer of 2019 at the art studio of Susanne Kessler. The studio was poisoned by one or another service the way I had to leave after a few days. The last work I painted there I gave the title of "Dein Kampf" to clarify the totalitarian situation in which Europe has ended up
Flood / Vloed - Jan Theuninck, 2019
The key element of social control is the strategy of distraction that is to divert public attention from important issues & changes decided by political & economic elites through the technique of flood or flooding continuous distractions & insignificant info (Chomsky, 10 strategies of manipulation by the media )
Dein Kampf - Jan Theuninck, 2019
- your inquisition system -
Architektur der Unterdrückung
Stalag Zehn B
Architektur der Unterdrückung
Stalag Zehn B
the feldwebel became a
general
the campdoctor ,
a professor
and we the jews - it’s
banal
we stayed jewish - no error
© by Jan Theuninck
Stalag Zehn B
le feldwebel est devenu général
le docteur du camp, professeur
et nous les juifs - c'est banal -
on est resté juif - pas d'erreur
© by Jan Theuninck
Stalag Zehn B
il feldwebel era promosso generale
il dottore dell’accampamento,
professore
e noi gli ebrei - è banale
noi siamo rimasti ebrei - nessun
errore
© by Jan Theuninck
Stalag Zehn B
Der Feldwebel ist General
geworden,
Der Arzt des Lagers,
Professor,
und wir , die Juden - es ist banal
-
wir sind jüdisch geblieben - kein Zweifel
!
© by Jan Theuninck
Stalag Zehn B
de feldwebel werd generaal,
de kampdokter, professor
en wij , joden, het is banaal
wij zijn jood gebleven, zonder twijfel !
© by Jan Theuninck
Stalag Zehn B
el feldwebel era promovido general
el doctor del campo , profesor
y nosotros, los judios - es banal
permaneciamos judios - ningun error
© by Jan Theuninck
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De spiegel van het Westen
Miroir de l'occident: Le Nazisme et la civilisation occidentale
Das "System" ist undemokratisch und korrupt, es missbraucht die Macht und betrügt die Bürger skrupellos. (Prof.Dr. Hans Herbert von Arnim)
De spiegel van het Westen
Miroir de l'occident: Le Nazisme et la civilisation occidentale
Jean-Louis Vullierme
Hinter der demokratischen Fassade wurde ein System installiert, in dem völlig andere Regeln gelten als die des Grundgesetzes.Das "System" ist undemokratisch und korrupt, es missbraucht die Macht und betrügt die Bürger skrupellos. (Prof.Dr. Hans Herbert von Arnim)
Multitude: War and Democracy in the Age of Empire (by Negri and Hardt)
http://www.holocaust-lestweforget.com/jan-theuninck.html
The sad truth is that most evil is done by people who never make up their minds to be good or evil
... l’homme le plus banal, dont la médiocrité intellectuelle et morale se suffit de l’occasion pour exceller au service de l’état (Hannah Arendt, Das radikal Böse)
Diskussions Tabu
les assassins sont parmi nous...
Dein Kampf is a possible epistemological paradigm
... l’homme le plus banal, dont la médiocrité intellectuelle et morale se suffit de l’occasion pour exceller au service de l’état (Hannah Arendt, Das radikal Böse)
Diskussions Tabu
les assassins sont parmi nous...
Dein Kampf is a possible epistemological paradigm
Wordt corona het einde van de rechtsstaat?
to clarify the totalitarian situation in which Europe has ended up
יאן ת'אונינק
Weimar was saturated with propaganda; Theuninck reframes it as a collective struggle against authoritarian narratives. His minimalist style strips away spectacle, exposing propaganda’s emptiness.
Dein Kampf directly critiques the manipulative power of ideology, paralleling Weimar’s propaganda wars.
to clarify the totalitarian situation in which Europe has ended up
Museum Herxheim
https://www.museum-herxheim.de/endzeit-72-dein-kampf-gegen-die-postapokalyptische-welt-ist-die-endzeit/יאן ת'אונינק
Weimar was saturated with propaganda; Theuninck reframes it as a collective struggle against authoritarian narratives. His minimalist style strips away spectacle, exposing propaganda’s emptiness.
Dein Kampf directly critiques the manipulative power of ideology, paralleling Weimar’s propaganda wars.
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